As The World Turns -
Wednesday, July 11, 2001 (CBS).
TV Rating: TV-14 D
Approximate Oakdale Date:
July 5, 2001 (Same Day)
Time: Evening
Place: Oakdale, Illinois
Location: Java Coffee Shop
building - downstairs.
Scene: Java Underground
ISAAC JENKINS AND A LADY
FRIEND
>> Isaac: -- Show that
much skin.
HAL MUNSON AND ISAAC JENKINS
>> Hal: Excuse me,
Isaac. You got a table for me?
>> Isaac: Well, that
depends. Are you gonna spend your time
drowning
your sorrows like last
time?
>> Hal: No
sorrows. Looks like Barbara's getting
better.
>> Isaac: I'm glad to
hear it. How's Emily Stewart?
>> Hal: Emily?
>> Isaac: Stewart,
yes. She called a minute ago checking
to see if you were
here.
>> Hal: Right. Well, we have a business thing going.
>> Isaac: Uh-huh.
>> Hal: Really,
Isaac. Business.
>> Isaac: I'm just an
unbiased observer, and I recall the last time you were
here, I observed you and
Emily leaving together.
>> Hal: Right, because
I was three sheets to the wind, and because she was
being nice.
[Miss Emily Stewart walks
over.]
>> Isaac: Emily,
nice?
>> Hal: I know the
lady's a holy terror most of the time, but she saved my
neck that night, 'cause
there's no telling where I would have wound up if she
hadn't driven me home,
okay?
>> Isaac: Yeah,
yeah. So once you got home, what
happened? Did she put
a move on you or
something?
HAL MUNSON, MISS EMILY
STEWART, AND ISAAC JENKINS
>> Emily: Oh, no, no,
no. I got him all liquored up, then I
had my way with
him swinging from his
chandelier. What's it to you?
>> Isaac: That's what
I love. Who says relationships that
start in bars don't
work out?
>> Hal:
Relationship? We're just friends.
>> Emily: What's up
with you, huh? Jealous?
>> Isaac: No, no,
no. I'm just concerned about my
customers. See, it's the
barman's creed.
>> Emily: Well, this
customer is dying of thirst, so soda with a twist?
>> Hal: Make that
two.
>> Isaac: Oh, you two
want to be alone? Okay.
HAL MUNSON AND MISS EMILY
STEWART
>> Emily: Look, I'm
sorry. I'm sorry about that. I just don't like the
suggestion that the only
reason I helped you is because I had designs on you.
>> Hal: Oh, that part
didn't bother me.
>> Emily: Well, then
what's with the face?
>> Hal: Just trying to
work out the logistics of doing it hanging from a
chandelier.
Location: Lucinda Walsh's
estate.
Scene: The mansion - the
foyer.
CRAIG MONTGOMERY AND MATTHEW
HABERSHAM
>> Craig: Matthew,
back in the saddle again. Nice.
>> Matthew: Thank you,
sir.
>> Craig: Is Lucinda
in?
>> Matthew: Not for
you, sir.
>> Craig: Why don't
you announce me, anyway, just to see how loudly she
yells?
LUCINDA WALSH, MATTHEW
HABERSHAM, AND CRAIG
MONTGOMERY
>> Lucinda:
Matthew? Matthew, is that -- ? Oh, it's you. This can wait
until another time.
>> Craig: No, it
can't.
>> Matthew: Should I
remove him, madam?
>> Lucinda: No. Let him come in. Fumigate afterwards.
[Craig laughs.]
>> Matthew: Yes,
ma'am.
Scene: The study.
LUCINDA WALSH AND CRAIG
MONTGOMERY
>> Craig: Lucinda,
there is no hostess quite like you.
>> Lucinda: You know,
I'm amazed, absolutely amazed at your performance
in New York, how you fired
all of Barbara's employees in one fell swoop.
[Craig laughs.]
>> Lucinda: I'm just
amazed. I thought you'd be too busy
patting yourself
on the tummy to even think
of poor me.
>> Craig: I am never
too busy for you.
>> Lucinda: Lets get
this over with quickly.
>> Craig: The loan to
Bryant's trust has been repaid. It is
now totally
available to be spent
irresponsibly by my son, the master of the art.
>> Lucinda: Oh, I
see. And you raided B.R.O., right?
>> Craig: The loan is
paid in full and on time.
>> Lucinda: To save
you prosecution. When I think of the
havoc you have
wreaked over stealing this
money --
>> Craig: Borrowing
it. I accomplished my goal.
>> Lucinda: What was
your goal?
>> Craig: To free my
son from you. That money makes my son
autonomous. He's his own man. You cannot control him.
And I warn you,
do not try to obligate him
again in any way.
>> Lucinda: Obligate
with my money? You're warning me? Or what will
you do? You'll huff and puff and blow my house
in?
[Craig laughs.] is that
it? It's gonna be difficult to do that
from a jail cell.
>> Craig: Oh, if my
innocence does not keep me out, my lawyer will. You
can't get rid of me,
Lucinda.
Location: Oakdale Memorial
Hospital
Scene: Barbara Ryan's
hospital room
PAUL RYAN AND AN UNCONSCIOUS
BARBARA RYAN
[Monitor beeping.]
>> Nurse: Mr.
Ryan?
>> Paul: Yeah.
>> Nurse: You were
expecting this from your office?
>> Paul: Thank
you. It's all here. It's all here, mom. Everything we need to
prosecute Craig Montgomery
-- financial statements, canceled checks --
Worldwide stocks? That's what he was buying with your
money. Yeah, I
need the number for the
D.A.'s office. Don't worry, mom. Craig
Montgomery is gonna be back in
jail before the night's out.
Location: Luthers Corners
Church
Scene: The sanctuary
JAKE McKINNON ALONE.
[Jake walks in and is
looking around.]
JAKE McKINNON AND THE
MINISTER
>> Minister: May I
help you?
>> Jake: Reverend
Elkins? Jake McKinnon. We talked yesterday.
>> Minister: Oh. You're a little early, aren't you?
>> Jake: Yeah. I just wanted to come and scope things out,
you know? I
was here the other day at
Holden and his son's memorial service, but to tell
you -- to tell you the
truth, I really didn't -- pay too much attention. This sort
of reminds me of a church I
used to go to where I used to live.
>> Minister: Where was
that?
>> Jake: Lassiter,
Pennsylvania. To be perfectly honest
with you, I wasn't
really a regular churchgoer,
although I did get dragged in there every once in
a while for Sunday
School.
>> Minister: Kicking
and screaming I'll bet.
>> Jake: Yeah. How did you know that? You know, I think this is gonna be
the perfect place for my
fiance, although we've been going back and forth --
big wedding, small
wedding. She thinks that I'm spending
too much on the
reception.
>> Minister: Planning
a wedding can be quite stressful.
>> Jake: I know. I know that. I was married once before.
She died almost
two years ago.
>> Minister: Oh, I'm
sorry.
>> Jake: Oh, don't
be. Don't be. I'm twice lucky. Molly is
an incredible
woman, and I just want to
make sure that this wedding is worthy of her.
Location: Urban high-rise
condominium building.
Scene: Jake McKinnon's
penthouse condominium.
MISS MOLLY CONLAN, MARY, AND
MICHELE MCKINNON
>> Molly: Mary! I think Michele is finally sleepy. It took a lot of singing
and a lot of swaying, but I
think she's ready to go to bed.
Good-night, my
bunny.
>> Mary: Sweetie. Going out for?
>> Molly: Oh, Jake and
I are going to Luther's Corners Church to see if it's a
possible wedding site.
>> Mary: Well, that
sounds romantic.
>> Molly: Yep.
>> Mary: Well, we'll
see you when you get home.
>> Molly: Okay.
MISS MOLLY CONLAN AND MISS
ABIGAIL WILLIAMS
>> Abigail: Molly, can
I talk to you?
>> Molly: Oh, hey,
honey, can we catch up later? I am so
running late.
Where is my purse?
>> Abigail: Right
here.
>> Molly: Oh, thank
you. Thank you so much. Hey, have fun on your date
with Adam, okay? Hey, is something wrong? Are you okay?
>> Abigail: I was on
the computer, checking my e-mail, and then I checked
out the fashion page on
"The City Times" website, and I found this picture of
you.
>> Molly: Are you
faking me out? Is this some Jake
McKinnon surprise?
>> Abigail: I don't
think Jake had anything to do with this.
[Abigail shows Molly a
picture of Molly's police mug shot]
>> Molly: Oh, my
God.
GLOBE ANIMATION AND SHOW
THEME.
Shorter version globe
animation and show theme.
Characters shown (in order):
Craig Montgomery, Miss Abigail Williams,
Simon Frasier, Barbara Ryan,
Jake McKinnon, and Miss Emily Stewart.
[Fade to sponsor.]
SPONSOR
>> Announcer: As The
World Turns is sponsored by Blockbuster.
Enjoy
your summer nights with
Blockbuster. Bringing entertainment
home, all
summer long.
[Fade to a commercial
break.]
Location: Urban high-rise
condominium building.
Scene: Jake McKinnon's
penthouse condominium.
MISS MOLLY CONLAN AND MISS
ABIGAIL WILLAIMS
>> Abigail: I am so
sorry. I didn't even want to show it to
you, but I thought
that you could tell Jake,
and you could get it taken off the site.
I mean, some
sicko hacker must have made
this up on his computer.
>> Molly: This picture
isn't a fake, honey. I'm so sorry.
>> Abigail: Oh, no,
don't worry about it. I mean, that
Stenbeck stuff is over.
It doesn't matter.
>> Molly: Why did I
even think that this would never come up again?
>> Abigail: Molly --
>> Molly: Honey, I had
an arrest record before I ever knew David.
This is
from that. I did something.
>> Abigail: No, you
know, it doesn't matter. Just, whatever
it is, forget it.
>> Molly: I just want
you and the twins to have the best life and to never
have to apologize for who
you are or -- who your mother is.
>> Abigail: Molly, I
am so proud of you.
>> Molly: You know
what? When you're young, and you're
single, you --
you figure, "What the
hell? I'll do it. I'll do anything, because it's only
gonna hurt myself." But
then you grow up, and you look at your kids, and
you realize that every
action you've ever taken in your life comes back to
affect the people you love. Jake -- you said this is from Jake's
website?
>> Abigail: Yeah, but
-- are you afraid of what Jake's gonna think?
>> Molly: No. He'll say he doesn't care. He'll say, "So what?" You
know?
But what about the other
people? They'll see it, and they'll
think, "Why is
successful, all-around good
guy, easy-to-look-at Jake McKinnon marrying
this?"
>> Abigail: Molly,
absolutely nobody is thinking that.
>> Molly: I am.
Location: Java Coffee Shop
building - downstairs.
Scene: Java Underground
HAL MUNSON, TOM HUGHES, AND
MISS EMILY STEWART
>> Hal: Hey, Tom. I'm glad you could make it.
>> Tom: Am I
interrupting something?
>> Hal: No. The thing that I'm workin' on that I wanted
to ask you about
concerns Emily, too.
>> Tom: Oh,
really?
>> Emily: Tom, we
share a child. I think we can share a
table for a minute
or two.
>> Tom: So what's this
all about?
>> Hal: The explosion
at the boathouse. Emily and I have been
workin' on
it.
>> Tom: Why?
>> Hal: Because we
think there might be some things that the cops missed.
>> Tom: You mean
something that maybe Margo missed? What
are you
trying to do, Hal? Look, I can see Emily pullin' something like
this.
>> Emily: Oh, you know
what? Can you please give me the
benefit of the
doubt once in your
life?
>> Hal: All right,
just stop, you two, okay? Tom, if I was
out to hurt Margo,
do you really think I would
call you for help?
>> Tom: So what is
this about?
>> Hal: Well, as much
as I hate to admit it, I think I'm trying to prove Craig
Montgomery innocent.
Location: Lucinda Walsh's
estate.
Scene: The mansion - the
study.
LUCINDA WALSH AND CRAIG
MONTGOMERY
>> Lucinda: As
appearances are often so deceptive where you're concerned,
Craig, I will have these
papers looked over by a battery of attorneys, and I'll
get back to you.
>> Craig: Why can't
you ever admit you're wrong?
>> Lucinda:
Wrong? No, not wrong. You stole the money that I put aside
for your son, and then you
replaced it with money that you stole from your
new wife, Barbara, leaving
her near death's door. And, of course,
you
consider that a
victory.
>> Craig: I made
B.R.O. a lot of money buying Worldwide stock.
>> Lucinda: Of course
you did. What are you going to do with
that stock,
darling?
>> Craig: You'll find
out at the rescheduled meeting.
[Lucinda laughs.]
>> Lucinda: I can't
wait. More psychedelic nibbles for me,
huh?
>> Craig: I think
you'll find your control of the company is in question.
>> Lucinda: Because
you would do it so much better than i?
>> Craig: I will
always do everything I can to knock you off your pedestals,
baby.
[Lucinda laughs.]
[Doorbell ringing.]
LUCINDA WALSH, CRAIG
MONTGOMERY, SIMON FRASIER, AND
MATTHEW HABERSHAM
>> Lucinda: Oh. Oh, you came! Thank goodness.
>> Matthew: Mr.
Frasier, madam.
>> Lucinda: Yes, I can
see, Matthew. I'm talking to the man,
right? Come.
Come on. Oh, heavens. Here, come in. Come
on. And, oh, you -- you, go.
>> Craig: Ousting me
for a tete-a-tete with my brother-in-law?
So, Simon,
where you been?
>> Simon: Rescuing
your sister.
>> Craig: And you
found her, she was all right, right?
>> Simon: Yeah. She's safe and sound, no thanks to you. Don't go spending
that money you owe me. I intend to collect.
>> Lucinda:
Matthew?
>> Matthew: Yes,
ma'am?
>> Lucinda: Oh, there
you are. Mr. Montgomery was just
leaving.
>> Matthew: Yes,
madam.
>> Lucinda: Oh, all
right.
[Craig laughs.]
LUCINDA WALSH AND SIMON
FRASIER
>> Lucinda: You got --
Rose spoke to you?
>> Simon: Yes. Yeah, yeah, she did. Yeah.
>> Lucinda: Yes?
>> Simon: Yeah.
>> Lucinda: Oh! And you're going to help us with Lily?
>> Simon: No. I want no part of this.
[Fade to a commercial
break.]
Location: Lucinda Walsh's
estate.
Scene: The mansion - the
study
LUCINDA WALSH AND SIMON
FRASIER
>> Simon: You think I
liked being accused of milking Lily's grief to get
money out of her?
>> Lucinda: I have
made a blunder -- a colossal blunder, and I owe you an
apology.
>> Simon: No, no, you
listen to me. Stuff your apology, and
stuff your
money!
>> Lucinda: No, don't
do that. Please, wait, wait, wait. Mea culpa doesn't
come easily to me. It's not my forte, but it is my fault, and I
didn't know. I
really didn't know that
you'd found out anything about Holden and that you
were working, helping
Lily. I didn't, and I misconstrued all
over the place!
>> Simon: Is this some
kind of -- what, another trick?
>> Lucinda: Wait! That's the point. It could be a trap. And
Lily is walking
into a trap. Don't you understand that? And you're the only person that I can
think of that she will
accept help from. Now, I don't know
what Damian is
up to. I don't -- I know Damian. I know Malta. I know the kind of people
that he's dealing with, and
they are killers! And -- I know your
problem is
with me. So what can I do? What can I do? I can
apologize. I'm doing
that. I ha -- I'm filled with regrets. I can make -- money, you don't want, but
I can make donations.
[Lucinda sighs.]
>> Lucinda: What can I
do? Because time's wasting. And I need you now.
It's Lily. It's Lily, darling. I'd die for Lily. I'd die for Lily. Me. But I -- I'm
not allowed to. Please -- please help.
Location: Luthers Corners
Church
Scene: The sanctuary
JAKE McKINNON AND MISS MOLLY
CONLAN
>> Jake: Hey,
sweetie.
>> Molly: Hiya,
handsome.
>> Jake: Hey. Mm.
Okay, what's wrong?
>> Molly: I was just
thinking maybe a big hoo-ha with everybody in town
isn't the way to go.
>> Jake: I thought you
wanted a big hoo-ha with all the trimmings.
>> Molly: I know. I just, um -- I changed my mind.
>> Jake: Come on. Now, listen, maybe I was a little resistant
at first, but
now, you've got me wanting a
big wedding.
>> Molly: But I don't
need all that, Jake.
>> Jake: Wait. I -- I need to show everybody everywhere how
much I love
you, and I gotta find the
fir -- the perfect place to do it, and I was thinkin'
about the -- the House of
Blues in Chicago.
>> Molly: Or maybe
just a small, nice, simple civil ceremony.
You know,
just you, me and the justice
of the peace?
>> Jake: What
happened?
>> Molly: I just, um
-- you know, just -- my life is so public at WOAK and
every -- I think we should
make this private, just us.
>> Jake: Hmm. I think you should try that again, only the
truth this time.
Come on, it can't be that
bad.
>> Molly: Can't
it?
Location: Java Coffee Shop
building - downstairs.
Scene: Java Underground
HAL MUNSON, TOM HUGHES, AND
MISS EMILY STEWART
>> Hal: This is the
bomb, the type of bomb that was used in the boathouse
explosion. Have you ever seen one like that?
>> Tom: It's a gas and
acid bomb, homemade.
>> Hal: Did you ever
use a bomb like that or have occasion to make a bomb
like that?
>> Tom: No. In combat, explosives tend to be a little
more immediate,
lightweight.
>> Emily: Like
grenades?
>> Tom: Yeah, pretty
much. The components of this bomb would
make it
too cumbersome for
battle. No special mission force I'm
aware of ever used
it.
>> Hal: A friend of
mine on the Chicago bomb squad said that this type of
bomb was used by special
forces -- Green Berets, Navy S.E.A.L.S.
>> Tom: No, I'm pretty
sure your friend is wrong. It's not
military. It's
strictly CIA.
Location: Oakdale Memorial
Hospital
Scene: Barbara Ryan's
hospital room
PAUL RYAN ON THE PHONE.
[Monitor beeping.]
>> Paul: Jessica, I
have all the information right here. I
can document
everything I've told you
about Montgomery's actions. What do you
mean
you have to locate him? Just -- all right. Yeah, sure. Just -- just
let me
know when you --
Jessica? I think we just caught a
break. Yeah. Mr.
Montgomery just
arrived. Okay. Yeah, he's right here.
PAUL RYAN, CRAIG MONTGOMERY,
AND OFFICER SLOCUMB
>> Craig: Who is this,
and why is he alone with my wife?
>> Slocumb: It's
authorized. He's a relative.
>> Craig: Paul!
>> Paul: You can
go. I'll protect my mother.
>> Slocumb: I'll be
right outside.
PAUL RYAN AND CRAIG
MONTGOMERY
>> Craig: What a
surprise.
>> Paul: My mother
nearly died, and you're surprised I'm here?
>> Craig: She got
married, you chose not to be here.
>> Paul: My
mistake. Someone should have been there
to stand between
you and my mother.
>> Craig: I think
you've been talking to the wrong people, Paul.
>> Paul: The police,
the D.A.?
>> Craig: They always
need their scapegoats.
>> Paul: Yeah, and
since your sister Margo's the new chief of detectives,
you're --
>> Craig: Paul, if you
had chosen to attend the wedding, I think my
relationship with your
mother would have been obvious.
>> Paul: Oh, yeah,
yeah. It's obvious. Look at her. Don't insult her or me.
What you love is her
money.
>> Craig: Well,
wouldn't want to insult you, would i?
>> Paul: My mother
telephoned me the day of the accident.
Did you know
that? She called to tell me that she tracked down
the source of certain
financial irregularities
that I brought to her attention. I'm
sure the police will
be interested to know that
she confronted you, that you stole money from
her.
>> Craig: I'm
sure. But for one, that's hearsay,
isn't it?
>> Paul: Yeah, well,
it's a good thing we're gonna have eyewitness
testimony, then.
>> Craig: Is that
right?
>> Paul: Yeah. My mother will convict you from the witness
stand. Haven't
you heard? She's coming out of her coma. Oh, yes!
Yes!
[Fade to a commercial
break.]
END OF PART ONE
Globe animation appearance.
PART TWO
No globe logo re-appearance.
Location: Oakdale Memorial
Hospital
Scene: Barbara Ryan's
hospital room.
CRAIG MONTGOMERY, PAUL RYAN,
AND AN UNCONSCIOUS
BARBARA RYAN
>> Craig: What
happened? She woke up?
>> Paul: Step away
from her now.
>> Craig: She's my
wife! What happened?
>> Paul: Makes you
sweat bullets, doesn't it, Craig? You
know what? She's
gonna wake up, she's gonna
tell the police you stole money from her.
>> Craig: Oh,
please.
>> Paul: Tried to kill
her. You took everything from her. You think that I
don't know you tried to run
the night of the explosion, that you fired the
B.R.O. staff in New York,
that you've been working day and night to take
over my mother's company
while she's been lying here in a coma.
>> Craig: You're just
as clever as ever, aren't you, Paul?
>> Paul: Oh, I'm back,
and I'm back to stay, and my mother's coming out of
this coma soon, and when she
does, she'll tell the police everything.
>> Craig: Good. We'll get these charges dropped. Now where's the doctor?
TWO MALE POLICE OFFICERS
ENTER.
>> Officer: Craig
Montgomery?
>> Paul: Right here,
officer.
>> Officer: You're
under arrest.
>> Craig: For
what?
>> Officer: The judge
has revoked your bail because you left the state
without
leave from the court.
>> Paul: Yeah, there's
a limit to what your sister can cover up for you, Craig,
and I will be filing
additional charges with the D.A.'s office.
Jessica's an old
friend.
>> Craig: You think
you can railroad me?
>> Paul: I plan to
annihilate you.
Location: Lucinda Walsh's
estate
Scene: The mansion - the
study.
LUCINDA WALSH AND SIMON
FRASIER
>> Lucinda: The note
was in the bottle.
>> Simon: Rose
mentioned something about a note, but she didn't say
anything about a bottle.
>> Lucinda: It was
literally in a bottle. A fisherman sent
it, and the
handwriting was
Holden's.
>> Simon: Holden --
you're certain about that? You're
sure?
>> Lucinda: Well, Lily
was certain about it. She was certain
about it, and
she's fled. She's fled off to rescue them.
>> Simon: Wait, wait,
you have contacts all over the world, security experts.
How could you let her go
there alone?
>> Lucinda:
Darling! She was adamant that I not be
involved! You know
what Lily's like when she's
adamant, all right? So, what are we
gonna do
now? I can fudge it! I mean, I can do something if she doesn't -- come on!
Time is wasting. You care about her.
>> Simon: Don't go
there.
>> Lucinda: You care
about her!
>> Simon: Stop, all
right? Don't go there. Fine, I'll go. I'll do it.
>> Lucinda:
Great. Well, I'll make the --
>> Simon: This is not
for money. This is not for money, just
expenses.
>> Lucinda: I've got
it. I've got that, okay? But maybe -- maybe you could
use the corporate jet.
>> Simon: No. No, no, you were smart to keep this
low-profile. If Holden
and Luke are still alive,
then we do not want to alert whoever's got them.
We need to protect
Lily.
>> Lucinda: When can
you go?
>> Simon:
Tonight. Tonight -- I can go
tonight. I'll call you as soon as I
know more.
>> Lucinda: Come
here. Thank you.
>> Simon: Yeah.
Location: Urban high-rise
condominium building.
Scene: Jake McKinnon's
penthouse condominium - front door.
ADAM MUNSON AND MISS ABIGAIL
WILLIAMS
>> Adam: Hi.
>> Abigail: Hi.
>> Adam: You ready to
go? The movie starts in about 20
minutes.
>> Abigail: Is it okay
if we don't go? I'm really not in the
mood.
>> Adam: Yeah,
yeah. We can just go next weekend,
that's all. I guess I'll
just -- I'll be
leaving.
>> Abigail: Adam,
could you just not go? Is it all right
if you stay?
>> Adam: Sure.
Scene: Living room.
>> Adam: Are you all
right?
>> Abigail: Yeah. Everything's fine -- sort of.
>> Adam: Translation
-- "Everything's lousy, sort of."
>> Abigail: Adam, if I
show you something, do you swear on a stack of
bibles not to tell a soul?
[Abigail shows Adam the
picture]
>> Adam: What?!
>> Abigail: Adam!
>> Adam: I'm sorry,
I'm sorry. Did you get that off the
web?
>> Abigail: Yeah,
"The City Times" website.
>> Adam: Who got
it? Does somebody have a vendetta
against Molly?
>> Abigail: I
guess.
>> Adam: Is it even
real, or did somebody dummy this up?
>> Abigail: It's
real.
>> Adam: Man. I -- I feel so bad for Molly, you know? If I find the guy
who did this, I'm -- I'm
gonna punch him out or something, I don't know.
>> Abigail: You're a
really great guy, you know that, Adam?
>> Adam: Has Molly
even seen this?
>> Abigail: Yeah. She went to go show Jake.
>> Adam: That's
good. Jake would be there for her.
>> Abigail: Yeah, I
know. But what if Molly does something
really noble
but really stupid?
>> Adam: Like
what?
>> Abigail: Like
calling off the engagement.
Location: Luthers Corners
Church
Scene: The sanctuary
JAKE McKINNON AND MISS MOLLY
CONLAN
>> Jake: It doesn't
capture your eyes.
>> Molly: Jake, don't
make a joke about this! Abigail --
Abigail of all
people downloaded this from
"The City Times" fashion page.
>> Jake: Well, we'll
delete it, and we'll find out who posted it.
>> Molly: I didn't
show you this so you could go rush off and defend my
honor, Jake.
>> Jake: You know
what? I thought you showed it to me,
Molly, I thought
you showed it to me because
I'm your friend and your fiance, and it upset
you, and -- maybe I'm in the
dark. There's another reason?
>> Molly: Everything
in my life seems to be public knowledge right now,
Jake, and I mean
everything.
>> Jake: Yeah, well,
you're on tv. The rules for celebrity
--
>> Molly: I just --
>> Jake: -- Are there
are no rules.
>> Molly: I felt like
that I finally got out from under the whole Stenbeck
fiasco, and now this comes
and bites me in the butt, and it's just gonna keep
on happening, Jake.
>> Jake: Well, you
can't change the past.
>> Molly: Don't you
get it? Do you understand? I have no secrets left, and
a woman with no secrets is
almost always --
>> Jake: What?
>> Molly: Do you
really want to go through life knowing that everybody
thinks that your wife is a
tramp?
>> Jake: Look, we all
have labels that scare us.
>> Molly: Yeah,
usually ones we've earned.
>> Jake: Are you
trying to tell me that the woman who sleeps in my arms
every night and the woman
that soothes my children when they're sad or
inspires such loveliness in
Abigail -- is a tramp? Well, I say,
"Hail to the
tramp."
>> Molly: I need you
to be straight with me, Jake.
>> Jake: I'm being
straight with you. I mean, how much
straighter can I be?
I don't care about some
stray photo that happened before I ever got the
privilege to meet you. I don't care. It means nothing.
>> Molly: I knew you
were gonna say that!
>> Jake: Well, what am
I supposed to say?
>> Molly: I knew that
you were gonna say that it --
>> Jake: Molly, what
am I --
>> Molly: I knew you
were gonna say that it meant nothing, that it just was -
- it was fine and -- I don't
believe -- I don't believe that somewhere down
deep you don't have doubts
about me, Jake, particularly after seeing a picture
of me with numbers across my
chest. Just be -- just stop being so
sweet and
consider it and be honest
with me.
>> Jake: Oh, you want
me to be honest with you?
>> Molly: Yeah.
>> Jake: You want the
truth? All right, here's the truth,
'cause it's time I
came clean with you.
[Fade to a commercial
break.]
Location: Java Coffee Shop
building - downstairs.
Scene: Java Underground
HAL MUNSON, TOM HUGHES, AND
MISS EMILY STEWART
>> Tom: What reason
would the CIA have to try to kill Barbara Ryan?
>> Emily: I don't
know, maybe they don't like pashminas.
>> Hal: Emily --
>> Emily: Anything's
possible, right? I mean, come on. Barbara dealt with
a lot of Euro trash in Paris
and Milan. Maybe she got herself
involved in
some international
incident. You never know.
>> Hal: I know,
okay?
>> Emily: Okay. Sorry.
>> Hal: Tom, the way
that this bomb is constructed, is that classified
information?
>> Tom: No way. You can pick up any book on cia weaponry and
find out
anything you want to know
about it.
Location: Urban high-rise
condominium building.
Scene: Jake McKinnon's
penthouse condominium - living room.
ADAM MUNSON AND MISS ABIGAIL
WILLIAMS
>> Abigail: It's just
Molly seemed so down, you know? She
even warned
me.
>> Adam: About what?
>> Abigail: That
everything you do comes back to haunt you, so be careful.
>> Adam: Well, how
careful is she talking about? I mean,
do you just not
leave your house or do you
just not go sky diving or crazy stuff like
parachuting?
>> Abigail: I think
she's talking most about relationships, Adam.
>> Adam: Oh.
>> Abigail: You know,
I sort of -- I did that with Chris Hughes.
You know,
be careful, I mean. After we ended it, I swore off boyfriends
and dating.
>> Adam: I know.
>> Abigail: You know,
it's scary opening yourself up to someone, to another
person, you know, 'cause
whatever they do, even when they're not around,
still affects you.
>> Adam: You know, I
think maybe being too careful isn't a good thing,
because it's like zoning out
on your life. Maybe you should just do
something off the wall every
so often, take a chance.
>> Abigail: Like
planting a kiss on someone during fireworks when they're
completely not expecting
it?
>> Adam: Exactly like
that.
Location: Luthers Corners
Church
Scene: The sanctuary
JAKE McKINNON AND MISS MOLLY
CONLAN
[Jake holds up his car keys]
>> Molly: What are
those for, Jake?
>> Jake: I want you to
take your car, drive over to Bay City, then I want you
to go to the hall of
records.
>> Molly: For
what?
>> Jake: Well, so you
can look at my list of arrest warrants, convictions.
You know, sorry to
disappoint you, honey, but your police blotter doesn't
hold a candle to mine.
>> Molly: That's a
nice try, McKinnon, but you know what?
You have been
able to rise above your
past. People don't keep throwing it in
your face.
>> Jake: I don't give
a flying rat's patootie what people think.
Nobody gets
under my skin, present
company excluded.
>> Molly: Aren't you
even gonna ask me what it's about?
>> Jake: If you feel
like you want to unburden your soul, fine, but do I need
to know every little
detail? It doesn't have a thing to do
with what's going on
at this moment. Look around you. It's a house of prayer.
People come in
here every single day, and
they look to the heavens, and they pray for love
and forgiveness and
redemption and deliverance -- occasionally, the winning
lotto numbers and a Cadillac. But I can stand here in front of you, and I
can
honestly tell you that I
don't need to pray for not one single thing, because
the answer to my prayers is
standing right before me at this very moment.
Location: Lakeview Hotel
Scene: Craig Montgomery's
penthouse suite.
MRS. KATIE PERETTI FRAISER
ALONE.
>> Katie: What is
taking him so long?
MRS. KATIE PERETTI FRAISER
AND SIMON FRASIER
>> Katie: There you
are.
>> Simon: Wow.
>> Katie: There's more
where that came from. So, you like my
outfit? I
thought you might want to
undress me.
>> Simon: You know,
Katie, listen, listen --
>> Katie: I missed you
so much. What took you so long to get
Lucinda and
tell her her money did not
mean anything to you?
>> Simon: Well, you
know, it didn't quite go as I expected.
>> Katie: Oh, it never
does with her. She does not take no for
an answer.
So, did she rant and rave
when you turned her down?
>> Simon: No.
>> Katie: You didn't
turn her down?
>> Simon: No, I
couldn't. Listen, listen, listen, I had
no choice.
>> Katie: Why
not? You were so mad when you left
here. What changed
your mind, the money?
>> Simon: No, it was
Lily.
>> Katie: Lily. Of course it was Lily. It's always Lily.
>> Simon: It's not
like that. She got a message from
Holden, a written
message. It confirms that Luke and Holden may still
be alive. That's why
she went to Malta. Listen, Katie, it's gonna be dangerous
there. I have to go
and help her.
>> Katie: You're
leaving now?
>> Simon: Yeah, yeah,
I have to. Lily's already made her way
there.
>> Katie: And who told
her to do that, to just take off like that?
And why
does she need my
husband? Can't she just call the cops
or a security team,
the Navy, hell's angels for
all I care?
>> Simon: No, she
can't, because this has to be kept quiet.
>> Katie: This is just
really lousy timing, Simon. You just
rescued me. We
just got back here, and we
were gonna start our life and have sex for the first
time in our marriage, and
then Rose comes in here and mentions Lily, and
you're out the door.
>> Simon: I'm not
doing this, trust me, because I have any residual romantic
feelings for Lily.
>> Katie: Yeah,
right. You're gonna get there and find
her, and she's gonna
be crying on your shoulder
and wanting you to rescue her and keep her safe
and whatever.
>> Simon: Think about
it, okay? Lily has lost -- her son and
her husband are
missing. She's not gonna be in the mood for any
romance under the Maltese
stars, and neither am I, for
that matter, so just think about somebody else for
a change.
>> Katie: You're
right, absolutely. Holden and that cute
little boy definitely
need deliverance.
>> Simon: Good, I'm
glad you see it that way.
>> Katie: I'll be
dressed in just a minute.
>> Simon: What?
>> Katie: You and I
are gonna save the entire Snyder clan, honey.
>> Simon: No, no, no
--
>> Katie: Don't
worry.
[Fade to a commercial
break.]
Location: Lakeview Hotel
Scene: Craig Montgomery's
penthouse suite.
MRS. KATIE PERETTI FRAISER
AND SIMON FRASIER
>> Simon: Listen, no,
Katie, you can't come with me. You just
got back
from your own
nightmare. You're not in any shape to
go anywhere.
Besides, it's gonna be
dangerous there. You're not
coming.
>> Katie: I'm a proven
survivor. I've endured selfish Henry,
crazy Cooley
and a relationship with a
coconut. Malta will be a piece of
cake.
>> Simon: You are not
going. No, no way. That's it.
>> Katie: I just
finally got what I wanted, Simon -- you.
I'm not gonna let
you go.
>> Simon: Listen, I'm
gonna come back in one piece, I promise.
>> Katie: Come back to
bed, please.
>> Simon: I can't, I
can't, I can't. I have to catch a plane
out tonight. I -- you
take care of yourself, okay?
>> Katie: I love
you.
>> Simon: You wait for
me, okay?
KATIE FRASIER ALONE
>> Katie: After
everything I've been through, he expects me to sit around
and wait? [Katie makes a
call] Hi, it's Katie Frasier in Craig Montgomery's
suite. I'm gonna need someone to baby-sit a
rabbit.
Location: Oakdale Police
Department precinct station
Scene: Jail Cell
CRAIG MONTGOMERY AND AN
OFFICER
>> Craig: You guys
ought to have my lawyer on speed dial by now.
Where's my sister?
>> Officer: Out.
>> Craig: Well, tell
her when she gets back, I want to see her.
You
hearme?!
Location: Oakdale Memorial
Hospital
Scene: Barbara Ryan's
hospital room
PAUL RYAN ON THE PHONE.
[Monitor beeping.]
>> Paul: Thank you for
moving on this so quickly, Jessica. Did
you get
those faxes? Very good.
All right, I'll talk to you soon.
Bye. Mom? God, I
hope you can hear me,
because I'm not gonna let Craig Montgomery hurt
you or anyone or anything
else you care about ever again, and that's a
promise I will keep. He's locked up now, and that's where he's
gonna stay.
Location: Luthers Corners
Church
Scene: The sanctuary
JAKE McKINNON AND MISS MOLLY
CONLAN
>> Jake: Okay. Once upon a beautiful day in the
not-too-distant future, you
and I will stand on an altar
like this, and you will be -- you will be as
beautiful as a -- California
sunset. And I will be sweating like a
pig going to
slaughter. [Molly laughs] And a man or a woman that we
don't know will
ask us -- each of us -- if
we want to spend the rest of our lives together. All
you have to do is say --
>> Molly: I do.
>> Jake: I do,
too. Simple as that. And you know what? Every second,
every hour, every day that
came and went before that won't mean anything,
'cause it has nothing to do
with you and me and the pact that we made to
God and to our distant
future. And to this.
[Jake lifts Molly's
imaginary veil and kisses her]
[Fade to a commercial
break.]
CREDITS ROLL
Short version Procter &
Gamble Productions, Inc. (PGP) logo
display.
Full version credits
roll. This episode was directed by
Ellen Wheeler.
In CBS advertisement window:
"The Agency" - CBS
Thursday primetime drama series this fall.
END OF PROGRAM
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